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Kemper Museum of Contemporary Art acknowledges it resides on the ancestral territory of the Osage, Kaw, and Otoe-Missouria, among other tribal nations forcibly moved to the region such as the Shawnee, Wyandot, Delaware, Potawatomi, Sac and Fox and Kiikaapoi (Kickapoo) nations. We recognize and support the continued vibrancy of Native communities and cultures today who continue to thrive, as well as the inherent sovereignty of tribal nations. We are compelled to serve and advocate for these communities in accordance with our public mission.

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Stan Douglas (Canadian, born 1960), Luanda-Kinshasa, 2013, single-channel video projection, 6 hours 1 min (loop), color, sound, overall dimensions variable. Courtesy the artist, Victoria Miro, and David Zwirner. © Stan Douglas. Courtesy the artist, Victoria Miro, and David Zwirner. 

Stan Douglas (b. 1960) is a Canadian artist whose work investigates the intersection of technology, image-making, and collective memory through the mediums of film and photography. For Stan Douglas: Metronome at the Kemper Museum of Contemporary Art, three major video works are showcased, each focused on the theme of music. As an audiophile and former DJ, Douglas uses music as a metaphor for social and political conditions and a means for global cultural exchange. By intertwining historical moments with the present, his work highlights themes of memory, social unity, conflict, and the complexities of cultural interaction.

The featured works in Stan Douglas: Metronome include ISDN (2022), which connects rappers from the UK and Egypt through the now-obsolete ISDN technology, exploring social struggles and aspirations. Luanda-Kinshasa (2013) imagines a historic jam session at Columbia’s 30th Street Studio, creating a utopian musical space where different nationalities come together. Douglas’s early work, Hors-champs (1992), features Black expatriate musicians improvising a "free jazz" session, while his photographic series Disco Angola (2012) and Crowds and Riots (2008–21) delve deeper into themes of collective memory and cultural transference. Through these pieces, Douglas blends narratives and geographies, challenging binary thinking and reimagining both history and the present.

Stan Douglas: Metronome is organized by the Kemper Museum of Contemporary Art, and curated by Kevin Moore. It is supported by a major publication, Stan Douglas: Ghostlight, published by Dancing Foxes Press in collaboration with the Center for Curatorial Studies (CCS), Bard College, Hessel Museum of Art. The book includes essays by CCS graduate program director and chief curator Lauren Cornell, Kevin Moore, and other prominent scholars.

This exhibition has been generously supported by the Bebe and Crosby Kemper Foundation for the Arts, UMB Bank, n.a., Trustee; William T. Kemper Charitable Trust, UMB Bank, n.a.; Christy and Bill Gautreaux; Richard J. Stern Foundation for the Arts, Commerce Bank, n.a., Trustee; John and Sharon Hoffman; and the Missouri Arts Council. In-Kind support has been provided by DRAW Architecture + Urban Design, Kansas City and Mid-America Contractors. The organizers extend special thanks to David Zwirner Gallery and Stan Douglas Studio.

Stan Douglas Hors-champs, 1992 two-channel video installation, 13:20 min (loop), black-and-white, sound. Courtesy the artist, Victoria Miro, and David Zwirner. © Stan Douglas. Courtesy the artist, Victoria Miro, and David Zwirner. 

Stan Douglas Luanda-Kinshasa, 2013 single-channel video projection, 6 hours 1 min (loop), color, sound. Courtesy the artist, Victoria Miro, and David Zwirner. © Stan Douglas. Courtesy the artist, Victoria Miro, and David Zwirner. 

Stan Douglas ISDN, 2022 two-channel video installation, 1523 days 17 hours 52 mins (loop), color, sound. Courtesy the artist, Victoria Miro, and David Zwirner. Equipment provided by Remai Modern, Saskatoon, Canada. © Stan Douglas. Courtesy the artist, Victoria Miro, and David Zwirner. 

Featured Works

This exhibition has been generously supported by the Bebe and Crosby Kemper Foundation for the Arts, UMB Bank, n.a., Trustee; William T. Kemper Charitable Trust, UMB Bank, n.a.; Richard J. Stern Foundation for the Arts, Commerce Bank, n.a., Trustee; John and Sharon Hoffman; and the Missouri Arts Council. In-Kind support has been provided by DRAW Architecture + Urban Design, Kansas City and Mid-America Contractors. The organizers extend special thanks to David Zwirner Gallery and Stan Douglas Studio.

Stan Douglas: Metronome Opening Night

Experience an exclusive artist talk with the acclaimed Stan Douglas