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Kemper Museum is a free art museum in Kansas City, Missouri that presents global contemporary art.

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Kemper Museum of Contemporary Art acknowledges it resides on the ancestral territory of the Osage, Kaw, and Otoe-Missouria, among other tribal nations forcibly moved to the region such as the Shawnee, Wyandot, Delaware, Potawatomi, Sac and Fox and Kiikaapoi (Kickapoo) nations. We recognize and support the continued vibrancy of Native communities and cultures today who continue to thrive, as well as the inherent sovereignty of tribal nations. We are compelled to serve and advocate for these communities in accordance with our public mission.

Kemper Museum acknowledges and respects the diversity of Native people connected to this land today. Many recognize the land and all beings who live within it as relatives. We acknowledge the earth we inhabit, the waters of the Blue River, the Kansas River, the Missouri River, and the plants, animals, and people supported by them. 

We acknowledge our responsibility to be good caretakers of the land we occupy. 

Click here to learn more about our land acknowledgment process.

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Kemper Museum of Contemporary Art’s seventh annual Atrium Project, Pepe Mar: Rising Sun, features a monumental fabric painting by Miami-based artist Pepe Mar (born Reynosa, Mexico, 1977). This installation highlights the signature fabric featured throughout Mar’s recent practice—a medium-weight textile printed with images sourced from his 15-year career archive—stretched across the expanse of the main atrium wall.

During site visits to Kemper Museum, Mar researched the Permanent Collection and encountered Rising Sun (1958), a work by modernist painter Hans Hofmann (German American, 1880–1966). An example of abstract expressionism, the painting is composed of swaths of bright colors—oranges, blues, yellows, and greens—applied gesturally upon the surface of the canvas, creating irregular shapes with defined and unblended boundaries. Hofmann’s juxtaposition of discrete colors in many ways mirrors collage practice, where elements are brought together but remain distinct. It can perhaps be said that Hofmann collaged paint, resonating with Mar’s collaging of his own archive across his fabric works. Taking inspiration from Hofmann’s technique and palette, Mar stained the fabric to approximate the colors of Rising Sun. In so doing, Mar creates a place for himself in the lineages of art history and addresses his own stylistic and material inheritances.

As part of the Atrium Project installation, Mar also created a new large-scale assemblage work depicting the newest iteration of the artist’s “Paprikas”: characters, or alter egos, that recur throughout Mar’s works. Their bodies, made from the influences that surround Mar in his studio and objects culled from antique and thrift shops, reflect the artist’s Queer, Latinx experience. Pepe Mar’s work is a layering of histories and materials capturing his overall ideas in a single monumental installation.

Pepe Mar: Rising Sun is organized by Kemper Museum of Contemporary Art, curated by Erin Dziedzic, director of curatorial affairs.  

Artist Talk | Pepe Mar

In this lively Artist Talk, Pepe Mar (born Reynosa, Mexico, 1977) dives into his process for creating colorful collage (2D), assemblage (3D), and large scale installations.

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Pepe Mar: Rising Sun

Installation view, Pepe Mar: Rising Sun, August 19, 2022 - July 30, 2023, Atrium, Kemper Museum of Contemporary Art, Kansas City, Missouri. Photo: E. G. Schempf, 2022.